Melton A. McLaurin's Celia, A Slave PDF

By Melton A. McLaurin

Celia was once a standard slave--until she struck again at her abusive grasp and have become the defendant in a landmark trial that threatened to undermine the very foundations of the South's "Peculiar Institution."

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Hemispheres,’ the obligatory space opera, was meant to expand on ‘Cygnus X-1’ from A Farewell to Kings, but the musical and thematic references are only tangential; on the new LP, the words belabor the bejesus out of the heart/mind dichotomy and skimp on the science fiction. ‘The Trees’ is an attractively droll political fable with a gorgeously rendered Print ads, Philadelphia and Passaic, New Jersey, January 1979. John T. Comerford III collection/Frank White Photo Agency Melody Maker ad, November 18, 1978.

30 Peart’s tale, with the essential message of individualism and self-reliance in the face of an oppressive government, was rendered iconically by Hugh Syme for the memorable cover art. ) The red star, reasonably mistaken for a pentagram, represents the dastardly Solar Federation, while the naked man on the version within the gatefold (to live on as one of the band’s most used logo graphics) represented unadorned freedom, individuality, man without trappings. “It’s not like we’re suffering from the dreaded Led Zep stigma,” mused Neil, defending his literary aspirations.

A double live album meant a band had become part of the establishment. Adding flowery significance to the milestone, Rush recorded theirs at a music Mecca for any Toronto-raised musician—the venerable yet cozy Massey Hall—during the summer 31 2112 Andrew Earles Beginning around 1975, the continuing power shift from DJ to programmer and the influence of radio consulting teams defined a transitioning phase that soon created the dominating AOR format, which in turn became the ever-popular classic rock format during the ’80s (and remains so to this day).

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