By Demostene, a cura di Luciano Canfora
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Extra resources for Discorsi e lettere. Discorsi in tribunale
Sample text
He peered at us through a monocle. Since he appeared in Casarsa only during the summer, I remember him with impeccable white uniforms and white suede shoes. Susanna was beautiful and slight, with the profile of a Venetian miniature. From my grandmother she inherited the grace of her smile, 16 Nico Naldini which sometimes was transformed into a brooding and desperate little laugh because she was extremely timid. Anecdotes of her timidity followed her until old age, and she would always respond to them with sweetly comical gestures.
He then goes on to examine Pasolini's experimentation with Oriental pictorial traditions in the Arabian Nights. ' Rumble offers another explanation of Pasolini's 'mixed' style as found in the Trilogy of Life in terms of the 'contamination' of diverse codes or ways of seeing, seen ultimately as the practical expression of Pasolini's politics of spectatorship. It is precisely this ethical concern with visual pleasure, voyeurism, and cinema that becomes the focus of Naomi Greene's essay on Pasolini's last film, Said (1975).
In 1942, the Pasolinis moved to Casarsa permanently in order to escape the bombings of Bologna. They occupied half of our house, and around the chimney of the old kitchen were arranged five thousand volumes of twentieth-century literature. Carlo was away fighting in Africa. After lengthy make-up sessions, Susanna would put the house Pier Paolo, My Cousin ... 19 into order, prepare lunch, and work in the garden (she had rediscovered many of the habits of country life). Guido attended the liceo scientifico [a science-oriented high school] at Pordenone.
