By Samuel Beckett
Ends and Odds brings jointly 9 brief dramatic works via the Nobel Prize-winning writer of anticipating Godot.
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Additional info for Ends and Odds
Example text
However, his theological critique, the stricter doctrinal analysis that he presents, is misleading. A similar problem exists in Maas’s argument, which seems to take the extreme position drawn from Devreesse’s more nuanced statements. e. Constantinopolitan and North African) context in which to study Junillus, Maas relies on scholarly positions (Kihn vs. Devreesse) that are, I would suggest, both obsolete. Kihn and Devreesse, despite the great learning of their respective volumes, were engaged in dogmatic history not wholly disembedded from the contemporary theological concerns of their day.
Cox, Patricia. Biography in Late Antiquity (Berkeley and Los Angeles: 1983). Cox Miller, Patricia. ‘“Differential Networks”: Relics and Other Fragments in Late Antiquity’, JECS 6 (1998): 113–138. New Themes and Styles in Greek Literature 25 ———. ‘Strategies of Representation in Collective Biography: Constructing the Subject as Holy’, in Thomas Hägg and Philip Rousseau (eds), Greek Biography and Panegyric in Late Antiquity (Berkeley and Los Angeles: 2000), 209–254. ———. The Poetry of Thought in Late Antiquity: Essays in Imagination and Religion (Aldershot: 2001).
Constantinopolitan and North African) context in which to study Junillus, Maas relies on scholarly positions (Kihn vs. Devreesse) that are, I would suggest, both obsolete. Kihn and Devreesse, despite the great learning of their respective volumes, were engaged in dogmatic history not wholly disembedded from the contemporary theological concerns of their day. My point is important and perhaps obvious: questions of intellectual history may sometimes be resolved by thoroughly disengaging them from the preceding theological disputes which served as their original framework.
