By S. Maddison
This can be an account of the significance of ladies and cross-gender identity in homosexual male tradition. It deals more than a few cultural readings from Tennessee William's vintage "A Streetcar Named hope" and Forster's "gay" novel "Maurice" via "Fiction", queer way of life magazines, "Roseanne", curb fan fiction and Jarman's "Edward II" to Almodovar's camp vintage "Women at the Verge of a apprehensive Breakdown". It takes factor with a few of the sacred cows of homosexual politics, and gives a few new suggestions in lesbian and homosexual idea.
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Extra resources for Fags, Hags and Queer Sisters: Gender Dissent and Heterosocial Bonding in Gay Culture
Sample text
150). ’ This is true, although it is a feature of male sexuality that is not limited From Pathology to Gender Dissent 33 to homosexual representations. 55 The constant presence of the threat of homosexuality functions to police the precarious identificatory relationships that men are encouraged to form with idealised forms of masculinity. Thus the suggestion that the eroticisation of Stanley alone signals Streetcar as a gay, but closeted, text is a little premature. Clum’s suggestion of Streetcar’s representation of a ‘paradigmatic homosexual experience’ seems an equivalent concept to that of ‘gay sensibility’, in that it calls on the recognition of certain subcultural practices as defining a homogenous gay identity.
Over half-a-century later, this inversionist model is still being used to enmesh homosexual writers, with, it seems, little more opportunity From Pathology to Gender Dissent 27 allowed for the possibilities of subverting or contesting a system still entrenched in Uranian principles. While Williams states in the Memoirs that he wasn’t attracted to camp men, 42 there is no reason to believe that he had a masochistic orientation towards Stanley (or Brando for that matter) as a ‘real’ (heterosexual) man.
48 An important part of the negotiations that entail cultural change and progress is the claiming of texts as indicative of particular moments or movements. This claiming involves a negotiation between existing reading positions and the newer position elaborated by the text that necessarily produces absences or loose ends: those parts of the text that are suppressed or glossed over, the characteristics which strain against the older position from the newer. Gay liberation partly came into intelligibility through the claiming of writers and other cultural producers as gay.
