By Fred Inglis
This is the 1st biography of the final and maximum British idealist thinker, R. G. Collingwood (1889-1943), a guy who either idea and lived at complete pitch. most sensible recognized this day for his philosophies of heritage and artwork, Collingwood was once additionally a historian, archaeologist, sailor, artist, and musician. A determine of huge strength and ambition, he took as his topic not anything under the complete of human exercise, and he lived within the related means, looking to event the total diversity of human ardour. during this shiny and rapidly paced narrative, Fred Inglis tells the dramatic tale of a notable lifestyles, from Collingwood's satisfied Lakeland adolescence to his successes at Oxford, his archaeological digs as a popular authority on Roman Britain, his solo crusing adventures within the English Channel, his lengthy fight with ailment, and his occasionally turbulent romantic life.
In a way unprecedented this day, Collingwood tried to assemble all elements of human idea right into a unmarried idea of functional adventure, and he wrote sweeping debts of background, paintings, technology, politics, metaphysics, and archaeology, in addition to a extremely popular autobiography. exceptionally, he committed his lifestyles to arguing that history--not science--is the one resource of ethical and political knowledge and self-knowledge.
Linking the highbrow and private facets of Collingwood's existence, and supplying a wealthy heritage of his milieu, History Man additionally assesses Collingwood's impression on generations of students after his dying and the renewed attractiveness of his significance and curiosity today.
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Extra info for History Man: The Life of R. G. Collingwood
Sample text
This may of course be done either briefly or profoundly, or both. That is to say, a biographical subject offers itself to us as somehow significant. Following the precepts of Collingwood’s methods as we shall discover them over these pages, the historical significance of a life reveals itself as, reenacting (the key verb in the business) the conduct of that life by way of the thoughts, passions, and beliefs made manifest in its actions, the biographerhistorian situates the subject in as carefully reconstructed a context as he or she may contrive.
It is much more a matter of fixing and, in the writing, dramatising a tradition to which this individual belonged. Everybody seeks to do this—that is what “identity” means, even when used in cant. Not everybody can find a tradition, and some traditions are not worth belonging to. There have been various efforts since the Romantic movement to dislodge the idea of a tradition. ”38 There remain innumerable tradition-dissolvers, Marxism and managerialism among them, but in the nature of things sheer longevity turns dissolvers into traditionalists.
On the lake or on the further side of it I used to look for the pale corner of the Lanehead house where it showed through the trees below the fell and tell myself that I could not really be one of that loved family. After meals we all helped in clearing away and I valued my right to share in this. 26 He became the family’s elder brother. He learned from and shared with WG that common Victorian passion for folktales which was to be one thick thread in the tapestry of R. G. Collingwood’s intellectual production.
