Download e-book for kindle: Paul Newman: A Life (Updated Edition) by Lawrence J. Quirk

By Lawrence J. Quirk

A racy major guy, a faithful husband and father, an American icon. Any of those could describe Hollywood legend Paul Newman. nearly all people across the world understands the general public tale of America's heartthrob, yet few understand what quite went on past the silverscreen—until now. Quirk's booklet chronicles how Newman, armed together with his wonderful attractiveness and what his appearing instructor known as "magnetic presence," rushed into appearing and marriage to break out from his father's disapproving eye. As Quirk deftly unveils, although, Newman used to be unprepared to quiet down, and the vows of marriage simply served to thrust back rumours of his suspected homosexuality. Quirk information Newman's rocky marriage, the cheerful beginning of his first baby, and his first appearing breaks on Broadway the place he met his moment spouse, Joanne Woodward.

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Additional resources for Paul Newman: A Life (Updated Edition)

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Although he was anxious to make an impression in the movies, Paul felt as if he had taken two steps backward. He had to work longer hours with the coach and Mayo than he had with Logan and Inge back in New York. His old doubts and insecurities about his acting ability began to resurface. He had a snobbish attitude toward pretty Mayo, who had appeared in many musicals and light comedies and was in his opinion a “movie” person instead of one from the theater. The director, Victor Saville, told me that Newman made things twice as difficult because of his rather condescending attitude.

She had chosen Tennessee Williams’s Battle of Angels, the first version of what would eventually become Orpheus Descending. Newman took the part of the sexy drifter, Val Xavier, who comes to a small town and works for an Italian lady who runs “YOUNG ACTORS NEED FREEDOM” a shop. The young actress played the part of a free-spirited, slightly crazy townsperson who also makes a play for Xavier. ) Since Newman himself was not really auditioning, he wasn’t too nervous the night they were to perform. Until he found that in addition to the two people who always presided over final auditions, Elia Kazan and Cheryl Crawford, such luminaries as the director Frank Corsaro, Karl Malden, and Geraldine Page were sitting in the audience.

If you wanted to be a “real” actor, that was the place to go—if they would have you. The other actors Paul worked and hung out with all talked about the great talents who were part of the studio—Eli Wallach, Julie Harris, Marlon Brando, Rod Steiger—and what an honor it would be to be taken under the wing of the group for serious study. Paul was intrigued—he wanted to be a “real” actor, not just a pretty boy—but didn’t think he was good enough to walk among such distinguished company. As fate would have it, he was soon proven wrong.

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