By Fran Martin
This e-book is in English to examine the beautiful upward push to prominence of cultures of dissident sexuality in Taiwan throughout the 1990s.
Read or Download Situating Sexualities: Queer Representation in Taiwanese Fiction, Film, and Public Culture PDF
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Extra resources for Situating Sexualities: Queer Representation in Taiwanese Fiction, Film, and Public Culture
Sample text
They discuss responses to the texts analysed from the spokespeople of various publics (mainstream cultural critics, government representatives, and representatives of feminist and tongzhi groups); and consider other forms of cultural production that relate in some way to the text in question (the tongzhi 'masking' strategy in relation to Chi Ta-wei's 'The Membranes', the scandal of a TV news report that secretly filmed inside a lesbian bar in relation to Qiu Miaojin's Introduction 41 The Crocodile's journal, and a tongzh i-produced website that rewrites Pai's Crystal Boys).
It has often been noted that 'queer' as deployed within the Euro-American cultural and academic centres has been a wildly discontinuous phenomenon: at once a political umbrella-term designed to include a spectrum of various non-straight sexualities and genders (as shorthand for the unwieldy 'lesbian, gay, bisexual, transgender'); an antiassimilationist activist movement critical of comfortable, white, middleclass lesbian and gay identities; a fulcrum for HIV/AIDS activism; a politicized, postmodernist movement in film and video; and an academic trend bringing the post-structuralist deconstruction of identity into the domain of lesbian and gay studies.
Such a moment provides the context for the generation of 1990s tongzhi writers whose work I discuss in this book. The 1990s explosion of social movements based in the politics of identity also produced a new moment in film, Taiwan's Second Wave, to which Ang Lee and Tsai Ming-liang, whose films Wedding Banquet and The River are discussed in Section 2, properly belong. As I have argued elsewhere, Taiwan's literary history in the 1990s could be characterized precisely by the stunning rise to prominence and 22 Situating Sexualities critical acclaim of a literature of transgressive sexuality written by a new generation of young writers.
