By John Sutherland, Jenny Stringer
Oxford partners are recognized for his or her authority, comprehensiveness, and browsability--"the most sensible reference books within the language," in keeping with Harper's. possibly the main recognized better half of all has been The Oxford better half to English Literature, now in its revised 5th version. however the literary canon isn't static, and sleek literature in all of its richness calls for a extra accomplished spouse to hide the wealth of up to date writing crafted in our language: The Oxford spouse to Twentieth-Century Literature in English. This designated new reference e-book to English-language writers and writing during the current century, in all significant genres and from all over the international, covers the gamut from Joseph Conrad to Will Self, Virginia Woolf to David Mamet, Ezra Pound to Peter Carey, and James Joyce to Amy Tan.
The survivors of the Victorian age featured in The Oxford spouse to Twentieth-Century Literature in English--writers equivalent to Thomas Hardy, Olive Schreiner, Rabindranath Tagore, and Henry James--could not often have imagined how richly diversified "Literature in English" may turn into by way of the top of the century. Fiction, performs, poetry, and a complete diversity of non-fictional writing are celebrated during this informative, readable, and catholic reference publication, together with entries on literary activities, periodicals, and over four hundred person works, in addition to articles on a few 2,300 authors.
the entire nice literary figures are integrated, even if American or Australian, British, Irish, or Indian, African or Canadian or Caribbean--among them Samuel Beckett, Edith Wharton, Patrick White, T. S. Eliot, Derek Walcott, D. H. Lawrence, Tennessee Williams, Vladimir Nabokov, Wole Soyinka, Sylvia Plath--as good as a wealth of much less evidently canonical writers, from Anaïs Nin to L. M. Montgomery, Bob Dylan to Terry Pratchett. The ebook comes correct brand new with modern figures equivalent to Toni Morrison, Ben Okri, Salman Rushdie, Carol Shields, Tim Winton, Nadine Gordimer, Vikram Seth, Don Delillo, etc. identify entries diversity from Aaron's Rod to The Zoo Story; themes from offended younger males, Bestsellers, and urban Poetry to cleaning soap Opera, Vietnam Writing, and Westerns.
A energetic advent by way of John Sutherland highlights a few of the and occasionally contradictory canons that experience emerged over the century, and the more and more overseas resources of writing in English which the better half files. Catering for all literary tastes, this is often the main accomplished single-volume consultant to fashionable (and postmodern) literature.
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Extra resources for The Oxford Companion to Twentieth-Century Literature in English
Example text
Perhaps his most ambitious experiment is The Alter- ation (1976), a dystopian fantasy describing Europe as it might have been if the Reformation had not taken place. Other works of fiction include the blackly comic Ending Up (1974), which casts a cold eye on the indignities of ageing and death; Jake's Thing (1978), which treats the central character's impotence as a subject for farce; and Stanley and the Women (1984), which displays a certain ambivalence towards its hero's misogynistic attitudes.
Clyde Griffiths, son of poor street missionaries in Kansas Amis City, yearns for wealth and social status and finds work as a bellhop in a luxury hotel, where he shares the fast life of his fellow workers. But, after a joyriding accident in which a little girl is killed, Clyde flees to Chicago where he meets Samuel Griffiths, his uncle, who employs him in his collar factory in Lycurgus, New York State. Clyde's job is menial and he becomes acutely aware of the wealth his cousins enjoy. He meets and seduces Roberta Alden, a working-class girl, but simultaneously falls in love with Sondra Finchley, a wealthy socialite; by the time Sondra becomes interested in Clyde, he has discovered that Roberta is pregnant.
Bradley Professor of Modern English Literature (1964-73). His reputation as a poet rests on Poems (1938) and The Ventriloquist's Do!! (1943), after which he published no further collections. His highly accomplished verse is often intensely atmospheric in its elegiac concern with impending historical catastrophe. Elsewhere the clarity and precision of his imagery, which sometimes suggests a muted surrealism, are used to bitterly satirical effect. Collected Poems (1975) contains his two collections together with a number of poems written between 1943 and 1957.
