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Example text
But that moment, the political making of other languages within Spain, is perhaps a window to see the stories told in this part just as a threshold to a more complete exercise of storytelling that can only be conceived as polyphonic. The story of a dominant voice is, to a certain extent, a fiction that this volume wants to reveal as such and, in that sense, necessarily intertwined with many other silenced stories to which these studies are only a prelude. 7 Metalinguistic discourses in the context of the development of educational systems – and the connection of both to nation-building and colonialism – are addressed in several chapters throughout the volume: Villa, Arnoux, Barrios, Dubord, Fern´andez-Gibert, Castillo Rodr´ıguez.
1991), who has shown how the syntax of many documents of the age is effectively that of the Romance of the 34 Roger Wright time rather than that of the Latin of the distant past, refers to these documents as being “Latinate”; that is, Romance in syntax, although the scribe is still aiming to make the document look like Latin through his use of the traditional spelling. These word-order and other syntactic phenomena are probably not intentional, though; the scribes used those developed features of syntax in writing merely because they used them in speech, rather than out of any conscious desire to revolutionize the written form itself.
Introduction: making of Spanish: Iberian perspectives 29 analyzed in this part are inextricable. In Wright’s analysis the convenience of a new system of writing that facilitates reading aloud is put in practice by religious and political institutions in need of spreading out pieces of doctrine or legislation in the most effective manner. That new linguistic tool, Romance, would also become a vehicle of international prestige for an ascending political unit becoming, in a certain way, its easily distinguishable signifier.
