By Tim Milnes
This bold examine sheds new gentle at the manner the English Romantics handled the fundamental difficulties of information. Kant complained that the failure of philosophy within the eighteenth-century to reply to empirical scepticism had produced a tradition of ''indifferentism.'' Tim Milnes explores the stress among this epistemic indifference and a perpetual compulsion to grasp. the strain is such a lot in actual fact glaring within the prose writing of the interval, in works similar to Wordsworth's Preface to Lyrical Ballads, Hazlitt's Essay at the rules of Human motion, and Coleridge's Biographia Literaria.
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Get Knowledge and Indifference in English Romantic Prose PDF
This formidable research sheds new gentle at the means the English Romantics handled the elemental difficulties of information. Kant complained that the failure of philosophy within the eighteenth-century to answer empirical scepticism had produced a tradition of ''indifferentism. '' Tim Milnes explores the strain among this epistemic indifference and a perpetual compulsion to understand.
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Extra info for Knowledge and Indifference in English Romantic Prose
Sample text
Locke equates his sense of psychological activity with ‘Wit’, which ‘lying most in the assemblage of Ideas, and putting them together with quickness and variety’, is distinguished from ‘Judgement’, which ‘lies quite on the other side, in separating carefully, one from another, Ideas [. ] thereby to avoid being misled by Similitude [. ]’. Wit, though it ‘strikes so lively on the Fancy’, is not to be trusted, as ‘there is required no labour of thought, to examine what Truth or Reason there is in it.
It is important, however, to distinguish this (limited) psychological activity from an epistemic activity, in the sense that truth itself is something made. This is discounted by Locke in his consistent adherence to the principle that knowledge must correspond to objects as the effect to the cause. Locke equates his sense of psychological activity with ‘Wit’, which ‘lying most in the assemblage of Ideas, and putting them together with quickness and variety’, is distinguished from ‘Judgement’, which ‘lies quite on the other side, in separating carefully, one from another, Ideas [.
Yet again, by its tendency to give the testimony of sense more weight than that of judgement and reason, idea-empiricism (or representative realism) seemed to undermine certain concepts – principally that of the operation of necessary laws within the natural world, but also those of identity, and objectivity in judgements of morals and taste. This is precisely the observation made by Hume, who (particularly if one considers his influence upon Kant) becomes a pivotal figure for any consideration of the agon of knowledge and creation as it evolved through an ailing empirical tradition and into Romanticism.
