By A. Acheraïou
Joseph Conrad and the Reader is the 1st booklet absolutely dedicated to Conrad's relation to the reader, visible conception and authorship. This hard research proposes new methods to trendy literary feedback and deftly examines the boundaries of deconstructionist theories, introducing groundbreaking new theoretical ideas of analyzing and reception.
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Additional info for Joseph Conrad and the Reader: Questioning Modern Theories of Narrative and Readership
Example text
Do we not, by absolving Jim, also absolve the author of all blame? I think 40 Joseph Conrad and the Reader Conrad succeeded in all these aims. Thanks to Lord Jim Conrad has become one of the most beloved writers in his own homeland. (1976, 158) Morf offers a telling example of an enthusiastic reader who probes a novel’s unconscious and engages in the construction of an ideal author from textual metaphors, symbols, and mythic, if not mystic echoes. Consciously or not, Morf induces the readers of Lord Jim to familiarize themselves not with the real, elusive Conrad of divided loyalties and impossible choices, but with an idealized, nationalized Conrad who, as interpreted by Morf, conveys a clear, conclusive message to his privileged Polish audience.
They printed some works, in Jerusalem, for the use of the soldiers and officers, and the first volume which came out was Lord Jim. (1976, 149) It is significant that Lord Jim should be the novel which appealed most to Conrad’s Polish readers, including soldiers and officers. The themes of heroism and sacrifice, central to Conrad’s book, were energizing moral forces for the Poles fighting the German and Russian invaders. Polish soldiers identified with Conrad’s hero, Jim; an identification which was encouraged by the novel’s editor, Wit Tarnawski.
All the same, the Polish legacy stressed by Najder is only a part of a complex set of ‘formative forces’, including French and British cultural and social traditions, with which Conrad’s readers should be familiar. While each of these elements is important, none of them, however influential, can exclusively render ‘the full implied cultural context’ of Conrad’s writing – by which Najder means, in fact, the Polish literary, cultural, and social context. Najder’s attempt to give primacy to Conrad’s Polish heritage over his British and French legacy is even more marked in his discussion of Lord Jim.
