By Greg Dickinson
Though we are living in a time whilst reminiscence appears to be like wasting its carry on groups, reminiscence is still primary to non-public, communal, and nationwide identities. And even supposing well known and public discourses from speeches to motion pictures invite a shared feel of the previous, reputable websites of reminiscence akin to memorials, museums, and battlefields include specified rhetorical principles.
Places of Public reminiscence: The Rhetoric of Museums and Memorials is a sustained and rigorous attention of the intersections of reminiscence, position, and rhetoric. From the mnemonic structures inscribed upon old structure to the roadside twist of fate memorials that line America’s highways, reminiscence and position have constantly been deeply interconnected. This e-book investigates the intersections of reminiscence and position via 9 unique essays written via best reminiscence stories students from the fields of rhetoric, media stories, organizational conversation, background, functionality stories, and English. The essays handle, between different matters, the rhetorical techniques of these vying for competing visions of a Sep 11 memorial at manhattan City’s flooring 0; rhetorics of resistance embedded within the plans for a ramification of the nationwide Civil Rights Museum; representations of nuclear energy—both as energy resource and weapon—in chilly conflict and post–Cold struggle museums; and excursions and tourism as acts of performance.
By concentrating on “official” locations of reminiscence, the gathering motives readers to mirror on how countries and native groups keep in mind heritage and on how a few voices and perspectives are legitimated and others are minimized or erased.
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Extra info for Places of Public Memory: The Rhetoric of Museums and Memorials
Example text
They are intractably present. This extraordinary partiality is responsible, in part, for the deeply political character of public memory places. . ”125 Of course, each memory place proffers a view of who “belongs and on what terms,” but the geography of these places also nominates for public audiences very particular views of which people and events of the past are most worthy of memory. Naturally, the extraordinary partiality is also a source of conflicts, over what should be marked in public space, where, by whom, and how.
Of course, real and imaginary places have long stood metonymically for grand ideas, satirical commentary, geopolitical histories, horrifying or scandalous events, idealized community, maligned political stances, and so forth. We obviously are thinking about more than physical places when we reference Palestine, the Watergate, Columbine, Disney World, the Mexican border, Jellystone Park, the Eiffel Tower, Ground Zero, San Francisco, Verdun, the Great Wall, Pearl Harbor, Yosemite, Hogwarts, the White House, home, or the Hague, but each of these marks a physical locale and/or a widely recognized imaginary one.
To a degree exceeding the products of many other memory techné, one’s experience of memory places may involve planning (where and when to go, making reservations), financial resources (plane fare, lodging, gas, admission fees), and time to travel (vacation or time off from work). The touristic context is rooted in a projected or desired departure from the ordinary, in a set of expectations that one will encounter rare or unique relics, learn about highly significant events or people, and/or be moved in particular ways by the experience of the place.



