By Laurel Brake
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Extra info for Print in Transition, 1850–1910: Studies in Media and Book History
Example text
In examining the parts it is notable that Newman takes full formal advantage of the units of the part to shape his polemics with effective beginnings and endings, much as a writer of fiction might. Apart from the absence of advertising, the salient aspect here for us is the degree of flexibility in this format which Newman’s serial exemplifies. Beginning with a plan, published on the back wrapper (verso), for five parts at a shilling each, the plan switches by the third number to eight parts plus higher and differently priced parts.
The Ninth Volume will be Published in December, price 8s’ And there we have it: weekly numbers, monthly parts, bi-annual volumes echoing and reinforcing the regularity of time, the passing of which itself creates the material and desire for another number. To balance the prospective market which the rhythm intimates, there is the retrospective, constant availability of years of volumes, parts, and numbers to ‘complete’ the series backwards. The promise of acquisition of origins is part of the illusion of the attainability of closure, as are the volume editions.
As well as circulating ‘intelligence’, newspapers developed and fostered the habit of reading. Shand connects the onset of the newspaper and this habit: The ferment of thought, the restless craving for intellectual excitement of some kind, have been stimulated; till now, in the last quarter of the nineteenth century, we are being driven along at high-pressure pace; and it is impossible for any one who is recalcitrant to stop himself. If you do not read for yourself, you are constrained to listen; and there is no getting beyond the reach of the press, unless you should be cast away, like Crusoe, upon some desert island.
