Remixthebook - download pdf or read online

By Mark Amerika

Electronic expertise has remodeled modern tradition. New social media, links, and cut-and-paste thoughts have replaced the best way we write. E-books, which permit us to hold complete libraries with us, are bringing new shopping and analyzing conduct. electronic modifying and different on-the-fly postproduction approaches have altered how we make tune, movies, and visible paintings. A key rhetorical trope hired in all points of Read more...

summary: electronic expertise has remodeled modern tradition. New social media, links, and cut-and-paste recommendations have replaced the way in which we write. E-books, which permit us to hold complete libraries with us, are bringing new searching and studying conduct. electronic enhancing and different on-the-fly postproduction techniques have altered how we make song, motion pictures, and visible artwork. A key rhetorical trope hired in all elements of electronic media is the remix, the construction of cutting edge new works of visible, literary, and function paintings in the course of the mashup. In "remixthebook," Mark Amerika explores the

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Each phase adds its element of novelty. The contemporary remixologist can relate to all of this and remixes Whitehead to expand on his philosophy: An image rendering is a component feeling in the concrete manifestation of a remixological performance one where artist-mediums selectively filter the data by tapping into their unconscious neural mechanism layering the component feelings in varying degrees of opacity and balance conjuring more complex imagery that generates yet more novelty transmuting the remixologist’s life into the free-flow sensation of an intense aesthetic experience filtering an ongoing social relatedness that opens up more creative potential that is to say more potential to produce novel togetherness Whitehead refers to this transmutation as a “becoming” in the actual world “In the becoming, it [the subjective form] meets the ‘data’ which are selected from the actual world.

Is this what we mean by “grounding out”? Even today this “Art in the Making” becomes something different yet again let’s call it (for lack of better) “Life in the Making” (a total cliché for sure—one I adore especially after having pursued an artistic lifestyle practice for almost three decades across ten planets and forty galaxies and seventy blood transfusions) Given all of the above would it not make utter sense that the biosphere would be the next best place for me to unravel my free-flow sensations of intense aesthetic experience especially since the actual entity of the it-thing body moonlighting as a “novelty generator” hacking the Real is always operating in asynchronous realtime?

This reversal is so powerful and violent that it is difficult for us to see. For envisioners, those who produce technical images, stand against the world, pointing toward it in order to make sense of it. Their gesture is a commanding, imperative gesture of codifying. Envisioners are people who raise themselves up against the world and point at it with their fingertips to inform it. And not just envisioners but as the cyberpunk novelist Pat Cadigan imagines we have also now become synners human synthesizers who sinfully feel hedonistic pleasure from dreamwriting our futures as image-rendering protagonists fighting the artificial eyes of the machine 30 Source Material Everywhere In her novel Synners one of her characters is Visual Mark a professional visualizer someone who has the power to construct on-the-fly dreamlike music videos out of his creative unconscious These dream-vids are simulcast across the virtually distributed network that happens to be tapping into his creative mindshare in asynchronous realtime At one point in the novel, Visual Mark is simply there: The sense of having so much space to spread out in—a baby emerging from the womb after nine months must have felt the same thing, he thought.

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