Download e-book for kindle: Roland Barthes (Routledge Critical Thinkers) by Graham Allen

By Graham Allen

Roland Barthes is a crucial determine within the research of language, literature, tradition and the media. This publication prepares readers for his or her first come upon along with his an important writings on the most very important theoretical debates.

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In a similar fashion, commenting on a Paris exhibition entitled ‘The Great Family of Man’ (MY: 100–2), Barthes notes how work is represented in the exhibition on the same level as birth and death. Thus, an exhibition supposedly demonstrating the diversity of human cultures ultimately homogenizes (essentializes) all humanity into a timeless and universal idea which denies the historical and cultural differences which make work an act of individual or collective agency in some cultures and an act of alienated labour under capitalism in others.

Barthes here is referring to the tendency in Modernist modes of writing, such as those found in the poetry of Stephane Mallarmé (1842–98) and those who followed him, to eradicate within their writing all signs of Literature. This is a writing which seeks to strip its language of all convention, to free itself from all recognizable narrative and poetic codes. This, however, Barthes argues, is a revolutionary writing that can only lead to silence, to a ‘complete abandonment of communication’ (RL: 63).

Support for the most radical modes of writing might seem an obvious move for an avowedly Marxist critic outside of the influence of official Communist party allegiances. However, such a critical move would run against the grain of Barthes’s position, since, as he demonstrated in his first book, every temporarily committed and free mode of writing eventually collapses back into convention and Literature. On the basis of Barthes’s argument in Writing 26 KEY IDEAS Degree Zero, the commitment of the critic must be not to one mode of writing, one literary or intellectual movement, but must rather be a kind of free-floating and constantly adaptable engagement with all available modes and movements of writing.

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