By Daniel Chandler
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Additional resources for The Act of Writing: A Media Theory Approach
Sample text
However, whatever their limitations, without categories we would be ‘slaves to the particular’ (Bruner et al. 1956, p. 1). Language extends our ‘grasp’ of the physically ungraspable. The development of abstractions needs the support of language, although even in this context, the use of language can inhibit as well as enhance the evolution of ideas: ‘often some promising intuition is nipped in the bud by prematurely exposing it to the acid bath of verbal definitions; others may never develop without such verbal exposure’ (Koestler 1970b, p.
Reformulating something transforms the ways in which meanings may be made The medium of language 17 with it, and in this sense, form and content are inseparable. From this stance words are not merely the ‘dress’ of thought. The importance of what is ‘lost in translation’ varies, of course. The issue is usually considered most important in literary writing. It is illuminating to note how one poet felt about the translation of his poems from the original Spanish into other European languages (Whorf himself did not in fact regard European languages as significantly different from each other).
Literary writers have frequently regarded language in this way. For May Swenson, a poet: ‘Language is not only a tool in poetry, it is its very being. In a poem, subject is not presented by means of language but language is the thing presented with the aid of subject. Being merely instrumental, a scientific exposition can be restated in various ways without a loss of end-effect... But tamper with, or reconstruct the tissue of a poem and you deal death to its cells and molecules’ (Swenson 1966, p.
