By Noreen Giffney, Michael O'Rourke
This interdisciplinary quantity of thirty unique essays engages with 4 key issues of queer theoretical paintings - identification, discourse, normativity and relationality. a mixture of special and rising students from quite a lot of nations, positioned the phrases 'queer' and 'theory' less than interrogation in and energy to map the family members and disjunctions among them. those members are specially attendant to the numerous theoretical discourses intersecting with queer idea - feminist thought, LGBT reviews, postcolonial thought, psychoanalysis, incapacity stories, Marxism, poststructuralism, severe race stories and posthumanism to call a couple of. This spouse presents an as much as the minute picture of queer scholarship from the previous 20 years, identifies many present instructions queer theorizing is taking, whereas additionally signposts numerous fruitful avenues for destiny study. This e-book is either a useful and authoritative source for students and an critical educating device to be used within the school room.
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Additional info for The Ashgate Research Companion to Queer Theory (Queer Interventions)
Example text
2007), ‘The “E(ve)” in The(e)ories: Dreamreading Sedgwick in Retrospective Time’, The Irish Feminist Review 3, 6–21. ―― (2008), ‘For the Love of Cinema’, series editors’ preface to P. MacCormack, Cinesexuality (Aldershot: Ashgate). E. (2003), Queer Theories (New York: Palgrave Macmillan). Halley, J. and Parker, A. (2007), ‘Introduction’, The South Atlantic Quarterly 106:3. 421–32. M. (1995), Saint Foucault: Towards a Gay Hagiography (New York: Oxford University Press). F. and Cerullo, M. (1990), ‘Multi/Queer/Culture’, Radical America 24:4, 27–37.
But I would say that my desire in comparing these two scenes is to re-raise (and suggest again the im-possible queerness of) the question: who knows? After all, both scenes involve knowledge, recognition, address, interpellation, articulation, normalisation. Both imply the possibility of orthopaedic violence. But in one scene the ‘really’ queer one, the one who did know what he ‘was’, did know that he was ‘really’ queer, also instinctively knew better than ever to say so or ever to turn in the punitive, interpellative glare of the identity spotlight, while in the other scene the ‘straight’ one (always the last to know), who didn’t yet know that he wasn’t or isn’t exactly not ‘really’ queer, didn’t know better than not to turn in response to an urban redneck’s menacing hail.
I should point out that Bersani is in the above writing about Friedrich Nietzsche, the ‘proto-postmodernist’ and (as Donald Hall calls him) ‘proto-queer’ philosopher ‘who took up most intensely the late nineteenth century challenge to 23 The Ashgate Research Companion to Queer Theory received notions of normality (2003, 56, 58). Proto-pomo-homo or no, Nietzsche was indeed one of the first Western thinkers to alert us to the way ‘regimes of the normal’ operate in the imperatives of knowledge, particularly self-knowledge.
