By Helmut Swiczinsky, Wolf D. Prix (auth.), Prof. Peter Weibel (eds.)
This publication is the 1st of its type displaying a brand new equation among artwork and structure. traditionally the interface among artwork and structure was once portray and colour. Now within the age of our on-line world the hot interface are the media, in particular the interactive digital media that permit the spectator to go into the picture, to be within the picture area. Thereby deconstructivist structure represented through the recognized team Coop Himmelblau takes an extra step, additionally into examine of recent interface applied sciences. Examples of first rank media artists express how the imaginary digital our on-line world and dataspace, the observer and the equipped genuine house can interact.
Read Online or Download The Media Pavilion / Der Pavillon der Medien: Art and Architecture in the Age of Cyberspace / Eine neue Gleichung zwischen Kunst und Architektur PDF
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Extra resources for The Media Pavilion / Der Pavillon der Medien: Art and Architecture in the Age of Cyberspace / Eine neue Gleichung zwischen Kunst und Architektur
Sample text
8. er n nd Vlgl'OU he ever con en .. u. 4 befordert eine eisenbahnschiene. an deren spitze ist ein computermonitor fest mit ihr verankert. 4 an das internet angeschlossen, dessen unterschiedliche datenstrome die skulptur bewegen. 4 bringt fOr augenblicke die skulptur zum stillstand. die gesamten datenstrome, dam it die konkrete bewegung der skulptur, quer durch den osterreichischen biennalepavillon, wird als statusinformation am obigen bildschirm angezeigt. 1. materialitat ein industriell gefertigtes forderband in augenhohe.
This gigantic aggregation of time points to the fact, that today's problems are too big to be mastered by any individual. with other words: internet is not a part of us anymore, but we have become part of internet. it is becoming obvious that internet is no longer in the tradition of conventional machines, that internet is the first out-of-human machine, a kind of meta-machine and that we are on the way to transgressing ourselves. ~~ Option. 1 of v nle cD ~ a. Q) E o h. s:. i v lUI Ion only. f r .
Bernardo, Sig. Pitteri Photos, Layout Photografer, Layout Markus Pillhofer, Tom Wiscombe Unser besondrer Special thanks Dank a Iso gil t t 0 allen KOnstlern all the artists PETER KOGLER PETER KOGLER ODER DIE VISUELLE LESBARKEIT DES RAUMES OR THE VISUAL LEGIBILITY OF SPACE Von Beginn der 80er Jahre an hat Peter Kogler eigenstandige Transformationen des Bildbegriffs und des Bildraums entwickelt. Die konzeptuellen Erfahrungen der Pop-Art der 60er Jahre im Umgang mit den Massenmedien, mit der Idee des Seriellen und mit neuen Reproduktions-Technologien hat er aufgegriffen und zur Idee des Moduls weiterentwickelt.
