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Extra resources for Education in early 2nd millennium BC Babylonia : the Sumerian epistolary miscellany
Sample text
As Gadotti demonstrated, OB scribes were not disdainful of the musician (nar). 60 As such, the key to the object of ridicule in this letter is found in l. 6. The sender of the letter does not dwell with the nar, but is relegated to sitting behind the door of his house. 63 If the nar is the court musician, it is tempting to speculate that the monkey represents a counter, “popular” musical culture. The composer of this 55 Cohen 1976, 271 argued that Mr. ” In support of this argument note the Personenkeil before “monkey” in two manuscripts (N66, N76).
3. obv. col. i: SEpM 19:[1–21], 22–25; AUrL 1:1–10 col. ii: [AUrL 1 approx. 15 lines], SEpM 1:1–9, 11–15, 17–19, 21–2318 rev. col. iii: SEpM 1:24–29, SEpM 4:1–11, [12–19], [AUrL 3, approx. 10 lines] col. iv: AUrL 3 (7 lines), SEpM 8:1–10, [11–25] Ur5 (UET 6/2 174 + UET 6/3 537; UET 6/2 174 + UET 6/3 537): [X], SEpM 7, CKU 1, CKU 2, CKU 23, SEpM 19, [. ] Multi-column tablet with probably three columns per-side (although there could have been more). The bottom and left edges of the obverse are preserved.
Frayne noted already “that the antagonist of Gungunum should have been Ur-Ninurta of Isin, not Lipit-Ištar. The literary tradition may, thus be in error, but, then, this kind of error in the tradition is not unique” (Frayne 1992, 120 n. 259. This possibility was suggested first by Rowton 1967, 273 n. ). 54 One other possibility worth considering is that the contrast was intended not between the kings themselves but between the behavior of the commanding officers. As Michalowski (1980–83, 58) demonstrated, one of the primary motifs used in the royal letters is that of tension between the military bureaucracy and the king.
