By Chris Maraffi
A different, in-depth method of growing sensible characters in Maya. Maya personality production: Modeling and Animation Controls' writer, Chris Maraffi, has services within the box and within the lecture room that interprets to the information and reliable instructing talents had to make this publication a "must-have"! the present development in special effects is larger natural realism. the various top-grossing video clips at the present time, akin to Spiderman, Lord of the jewelry, Jurassic Park three , and superstar Wars Episode 2, all function practical 3D characters. there's a significant desire within the 3D neighborhood for tutorial fabric that demonstrates certain concepts for attaining this natural fact. Maya is without doubt one of the major programs used on such state of the art motion pictures, and has a longtime toolset for growing plausible 3D characters. Maya personality production: Modeling and Animation Controls is designed to take you thru the method of designing, modeling, and establishing animation controls for advanced 3D characters. The ideas, options, and Maya instruments used for each one step within the method are offered in every one bankruptcy, via many hands-on workouts. NURBS, polygon, and subdivision floor modeling strategies are proven for growing the character's epidermis, and skeleton-based animation controls are lined intimately. you are going to learn the way a character's pores and skin should still deform whilst the skeletal joints and muscle mass stream. complicated MEL scripted animation controls also are lined greatly.
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Extra info for Maya Character Creation: Modeling and Animation Controls, First Edition
Sample text
However, we do write our own plug-ins and tools within commercial animation packages. Q: What skills should someone develop who wants to get a job as a setup artist at a company such as ILM? A: At this point in time, scripting is absolutely critical. I know that scares a lot of students, and it even scared me, but once you determine that you are going to learn it, you can. If you look at the future, where this is all heading, it's becoming more and more script driven, because you really need to be able to manipulate the software.
Beginning the modeling process by modeling your character's head with NURBS surfaces will be challenging and will give you a good idea of the strengths and limitations of this surface type. 2). You are then shown how to manipulate the surface in a variety of ways to create the details of your character's face, with a special focus on understanding edge placement and surface direction. When you understand how to model the NURBS head successfully, you will be able to apply the same modeling principles to the rest of your character's body.
4). If you bring the other two open ends of the cylinder around to close the other direction on the surface, you get a torus. A NURBS sphere is actually a cylinder whose open poles are pinched together only to appear closed, but are really open. Keep in mind when you are modeling your character that any single NURBS surface can only be deformed into variations of one of these four main shapes: a rectangle, cylinder, sphere, or torus. 4. You can deform NURBS surfaces into any shape that can be formed from a rectangle, which includes a cylinder, sphere, and torus.
