By Raymond George Siemens, David Moorman
The computer-assisted instruments, methodologies & constructions wherein these within the arts & humanities pursue their disciplines - the arts 'mind applied sciences' - have come more and more to the leading edge lately. coming up partially from contemporary conferences among the Consortium for Computing within the Humanities (COCH/COSH) & the Social Sciences & Humanities learn Council of Canada (SSHRC), the quantity is the 1st to rfile the the world over major paintings of the Canadian educational group during this quarter. Addressing problems with investment, learn & innovation, those articles specialise in the contributors & agencies whose paintings has formed contemporary computing program expertise. This assortment is a useful source for students, librarians & scholars throughout Canada with an curiosity within the quickly widening area of humanities computing the post-secondary surroundings.
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Ian Lancashire. Manchester: Manchester University Press, 1980. United States of America. S. Copyright Office. gov/title17/ Wiener, Norbert. Cybernetics or control and communication in the animal and the machine. 2nd. 1948; Cambridge, MA: MIT Press, 1961. indb 31 § 102. Subject matter of copyright, (b). , c. C-30, s. 1]. indb 32 7/13/06 9:33:16 PM Introduction: INK AND AIR: COMPUTING and the RESEARCH CULTURE of the HUMANITIES Patricia Clements1 University of Alberta Past President Humanities and Social Sciences Federation of Canada (HSSFC) I want to begin with two brief tales from my scholarly experience.
And it is not only in the composition of the research group that computing is inventing new knowledge communities. Web-based scholarly research is in its nature like a message addressed to whom it may concern, and it requires a great deal of effort and invention on the subject of what the user will need and want. Since the Web can, potentially at least, open the results of scholarly inquiry to all comers, our sense of the reader is increasingly multiple. indb 39 7/13/06 9:33:20 PM xl Clements instance, takes into account the needs of a variety of users, from casual browsers to literary researchers and users experienced and interested in humanities computing.
A similar strategy is adopted in Zeffirelli’s film of Hamlet, where the camera makes it clear that Hamlet has out-Poloniused Polonius by overhearing the plot to overhear him. In each case, the director’s choice has real justification in the variation and ambiguity of the original texts, and in each case the director has shuffled scenes in order to preserve the introspection of the soliloquy. 6 A more unorthodox but dramatic way of highlighting textual uncertainties of this kind would make visible the variations in possible moments for Hamlet’s crucial entrance by using a feature of web design many of us hate, loathe and despise: animation.
