Download e-book for iPad: The comedy of language: studies in modern comic literature by Fred Miller Robinson

By Fred Miller Robinson

Communique is language paintings of a better point

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The act of transformation is a comic act of transformation. When Father Lynch concludes that "comedy stands, with full, cognitive confrontation and remembrance, in the presence of man, down to the last inch of the little beastie. And seeing what can come of it, seeing how safe and strong a way it is ... it laughs indeed" (110), he is in danger of adhering too closely to his paradigm of the crucifixion and resurrection of Christ. We are led too easily into the leap of faith and redemption. The paradox of defeat and Page 15 joy, destruction and creation, death and rebirth, must remain an unresolved paradox or we will lose the sense of the comic.

In this way it substitutes for the continuous the discontinuous, for motion stability, for tendency in process of change, fixed points marking a direction of change and tendency. " But the mind, in so substituting, misrepresents reality, because IV) "With stoppages, however numerous they may be, we shall never make mobility"; fixed concepts can be extracted from mobile reality, but not vice versa; V) philosophical dogmas, in attempting to reconstruct reality from fixed concepts, must fail. And yet, VI) "the truth is that our intelligence can follow the opposite method.

Whether or not we wish to restrict ourselves to such a theological view, the point is to keep the two terms of the paradox in suspension, to experience them simultaneously. In Lewis' exegesis of Hart Crane's poem, "Chaplinesque," he speaks of Crane's ashcan becoming a grail, but Lewis must also keep in mind that the grail can be seen, comically, as an ashcan. Hart Crane himself needs to see this if he's going to talk about Chaplin. An essential aspect of Chaplin's physical comedy is that he seems clumsy and human at the same time that he seems graceful and spiritual.

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