By Vassilis Lambropoulos, David Neal Miller
The 10 issues contained in Twentieth-Century Literary concept replicate modern theoretical pursuits and consultant the reader via basic questions, from the formation to the makes use of of conception, and from the development to the translation of literature. the chosen essays hide a wealth of scholarship from either the us and Europe. They transcend conventional different types via targeting matters instead of writers or serious activities, therefore offering a discussion board for the ongoing dialogue of what idea is and does.
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Charles Batteux, Les Beaux Arts réduits à un même principe (Paris, 1747), pp. i-viii. 20. Ibid. pp. 9-27. 21. Ibid. p. xiii. For the important place of imitation in earlier French neo-classic theories, see René Bray, La Formation de la doctrine classique en France (Lausanne, 1931), pp. 140ff. 22. Lessing, Laokoon, ed. W. G. Howard (New York, 1910), pp. 23-5, 42. 23. Ibid. pp. , 64. 24. Three Treatises, in The Works of James Harris (London, 1803), 1, 58. Cf. ), pp. 405ff. 25. Henry Home, Lord Kames, Elements of Criticism (Boston, 1796), 11, 1 (chap.
This correlation (a system of systems) has its own structural laws, which must be submitted to investigation. It would be methodologically fatal to consider the correlation of systems without taking into account the immanent laws of each system. < previous page page_34 next page > If you like this book, buy it! html[4/10/2010 4:35:57 PM] page_35 < previous page page_35 next page > Page 35 Structure, Sign, and Play in the Discourse of the Human Sciences 1 Jacques Derrida Perhaps something has occurred in the history of the concept of structure that could be called an "event," if this loaded word did not entail a meaning which it is precisely the function of structuralor structuralistthought to reduce or to suspect.
Html[4/10/2010 4:35:55 PM] page_30 page_30 < previous page next page > Page 30 39. 'Idea of Universal Poetry,' Works, 11, 3-4. On the rationale underlying the body of Hurd's criticism, see the article by Hoyt Trowbridge, 'Bishop Hurd: A Reinterpretation,' PMLA, LVIII (1943), 450ff. 40. , Batteux 'deduces' from the idea that poetry is the imitation, not of un-adorned reality, but of la belle nature, that its end can only be 'to please, to move, to touch, in a word, pleasure' (Les Beaux Arts, pp.
